When I'm working, I look forward to weekends. Film sets give your time a structure; otherwise, one day can run into another. I often find myself in unusual locations, so Friday nights I might head out with some of the cast and crew to explore the town.

I once worked with Emma Thompson's mother, Phyllida Law. I worked with her on a BBC drama, and she was hilarious. I loved her so much, and she was great to work with.

I play bass. I play a bit of guitar. I've never been to a lesson, so my theory of music is non-existent in any instrument, but we always had guitars around. My dad taught me to play drums for 'Love Actually,' and I still play drums now. But I'm not a 'drummer.' I'm not a 'guitarist.' I'm trying to be a bassist.

On 'Love Actually,' I met Hugh Grant, who is a relative: our great-grandmothers were sisters. He'd call me cousin and ruffle my hair. And it was brilliant working with David Tennant on 'Doctor Who.'

I would like to work with Jean Reno, and I think it would be amazing to work with Jim Carrey. I would quite like to work with Robert De Niro and probably Christopher Walken.

I never went to a drama school or anything. I just gave it my best shot, and everyone seemed to like it, so I carried on doing it.

I usually get those parts which are slightly set away, a bit weird, so I am good at that!

When I hit 16, I got a scooter to ride to school. It was bright pink, and I saw on the ownership papers that Jonathan Ross once owned it. My friends slated me for it because of the colour, but it was cool. My father used to ride, and my mother's boyfriend has a bike, so we're a bit of a biker family.

I find it weird the way people get so excited about celebrity. If my friends are on the phone, their friends will say: 'Is that kid from 'Love Actually' there?' And the phone gets passed round and I have to speak to this stranger asking: 'Are you famous?' I don't know how to answer.

I have two bikes: a classic 1978 Yamaha SR500 and a more modern Suzuki SV650. I've been into cars and bikes since I was tiny.